This month, the cowboy poets discuss their pre-show rituals that help them reign in uncertainty and corral confidence as they answer the reader-submitted question, “Do you have any habits or superstitions that are part of your pre-performance routine?”

This month, the cowboy poets gather some of the most meaningful moments from their time in Elko as they answer this question asked by Feeling Nostalgic, “Could you describe a uniquely memorable moment you experienced at the National Cowboy Poetry Gathering in Elko?”

This month, the cowboy poets describe their observations of the fall season as they answer this question posed by Feeling like Fall, “How does the land, and the animals you surround yourself with, change as the days get shorter and darker?”

This month, the cowboy poets whittle down a wide question about their writing as they answer this quandary asked by @carteagraphy, "How do you distill the vastness of the vistas you encounter into the slim space of a poem?"

This month, the cowboy poets mull over a dilemma “as old as human fingernails” as they answer a question about transition planning for generational ranches.

This month, the poets describe their “heaven on earth” as they answer this question asked by Anonymous, “What is your favorite place on Earth?”

This month, the poets are asked a question by another poet. Jonathan Odermann asks, “"When inspiration strikes...what is the silliest, strangest, or otherwise most unconventional way you've managed to record a poem before it escaped your consciousness?"

Tipping over horses, caving in the sides of pickups, and charging to kill. While most range cows get ornery every once in a while, some of them become legendary for their temper. This month, the cowboy poets answer Cowpoke’s question, “What’s a story about the most ornery cow you ever came across?”

This month, the cowboy poets reflect on the crucial sensory ingredients that combine to make memorable poetry as they answer this question posed by @carteagraphy: “How much do you think about the sound/music versus the imagery of your poem?”

This month, the cowboy poets discuss artistic license in poems as they answer a question posed by The Man Who Didn’t Shoot Liberty Valance: “Could you comment on how you approach decisions about taking artistic license in your writing? Also, could you comment on any historical poems you’ve researched where you’ve found the legend has outpaced the truth or the truth is in fact stranger than fiction?”

For this leap year, DW Groethe and Bill Lowman share poems about the longest of Februarys. February, these are your songs.