4952 cuts later...........
4952 cuts later,
What comes after 4952 cuts you ask, well a set of conchos and a pair of stirrup bolts for a quite nice Watt Bros. Stock Saddle, that is what you get. We are building the saddle to take to a Show in the not far off future, and I wanted to do something just a little different and I choose the traditional Spinich ….er, oops Spanish Mission window style as my opening shape.
The windows are a mix of round and square placed together, creating what may seem like a 4 point Star, with scalloped edges and a square viewing pane at the center. It’s a “Way Cool” shape as we say out west by the bunkhouses on every ranch when Dad ain’t close enough to hear us.

I choose to cut a border around the squares of each Concho, and a central flower much like is done on a fine shotgun from Italy………….sorry you Italians if ya happen to be reading, hope I don’t insult any real engravers out there. The work I see being done on guns these days is just mind boggling, this is my version. And even if I done my best to copy it exactly, it still looks like crayon work next to their work.

The two stirrup bolts, since they have a closed top dome, then they need a fuller pattern, this the floral rosette cutting form. The string concho’s are slotted, so we laid a wreath of leaves around the edge of the dome and made all the rest the very same as the first two Rossette concho’s

It takes me about 1 hour and 15 minutes to cut the string conchos and about 1 hour and 30 minutes to cut the rosette type. That plus the cost of silver these days, makes this set of conchos rather expensive. I laid this entire design out on the computer, built all the arcs and what not into the design on the computer, then printed that out in a sheet and stuck it to the pre-polished silver sheet. It made it all go quite cleanly, and helped keep things real strait.

I will oxidize the entire set, the set consists of the string conchos, the stirrup bolts and a rather unique horncap. The horn cap is very different, I made a deep domed cap and then depressed a central area within the cap. Into that depression I then placed Oak leaves and acorns that I had cut out, these are silver soldered down into the depressed are which will leave the design below the surface so as to not interfere when a person is roping and dallying over the horn cap later. At least that was my intention behind the design. I will oxidize the area behind the Oak & Acorn rather heavily, the Oak them will carry nicely with the Oak & Acorn that is being carved in the leather.

I don’t think I want to go thru the labor of counting cuts on the 4.5 inch horn cap, so I will stick with the simplicity of 4952 cuts later and you can have the same thing for your next saddle………minus the horn cap.

The horn cap turned out cool enough but “boy howdy was it a ton of work. Not sure I can get paid for it, it took me 17 hours of sitting engraving to finalize just the engraving and shaping on the horn cap, that time has nothing to do with all the oxidizing and rubbing the excess off. Anyways the cap has three Oak leaves and some twigs and acorns on the top which are entirely modeled, nothing is cut away, it is all simply pushed around until it takes on a very 3 dimensional shape. All totaled the modeling of the central portion took me a little over 7 hours of rubbing, hammering, and yes some times cussing under by breath that I was stupid enough to start into a project like this right now.

But I worked away, getting coffee once in a while just to give my butt a break and my eyes a rest. Once the modeling was done I spent some time sharpening my stipple point, and pecking away on that background area, behind those oak leaves. Those big silver shiny round things that are in amongst the Oak&Acorn pattern, those shiny beads you are asking your wife about since she knows all about things that grow in a garden, well…………………….those are Oak Balls.

I quit at about 11 pm and headed into the house to look at what happend on the stock market for the day, and to work on a page for my blog. I was up and engraving by 7am, and at first light every thing was looking pretty cool, the center was done, the back ground work finished, and it was framed in nicely, I had done my outside perimeter border and had laid out my floral work and done the outline of each scroll and the bright cut groups. Ah, I was fresh, relaxed with coffee in hand and ready to get at it all over again. By about 10 I had done my liner work, and the shading on my cross overs, as well as shading at those places where scrolls exit from under flowers. All I had left where the flowers, I wanted to make all the flowers of the relieved type, which takes me considerable more time, but hey it was sort of an Art Piece so it was all worth it. Dang, Dang, double dang, its already 2pm, and I am just wrapping up the last flower center.

I am sitting there feeling pretty good about the horn cap as a whole, but knowing full well that I could have done 3 of my usual horn caps in the time I had spent on this version. Worst part of it all, I know I will never get paid what I should for sitting all those hours pecking away at that silver, cool as it may be, I just don’t think that many folks including me up until yesterday can really appreciate all the time it can take to complete a piece of work such as this.
And now for the rest of the story. I will know very well from first hand experience just what I am up against when I get asked for something very unique. I won’t shy away from the chance to do the job, I will just have a much sharper and more experienced pencil in hand when it comes to pricing the job.

Hey, glad your out there……
Good night and God Bless

Comments
Yes, you will not get paid in money for all your time and work on that horncap, but think of all you learned. ;)
We either live to work or we work to live or we play and get payed for it. Our choice. When we are doing something we enjoy, are we working or playing?
Great work and 1000 years from now someone will look at this horn cap and hold it in their hand and say, "Boy, the guy who did this really put in a lot of time and effort, didn't he?"
A touch of immortality. Tho' I know that isn't why you did it.
Thanks for making some of us strive to do a better job.
Posted by: Robert Dennis | June 12, 2007 6:18 AM
Jeremiah,
I think that those conchos may be the nicest shape I've seen to date. There's something really nice about the combination of forms there. The horn cap blows me away. I imagine an oak leaf theme is the tooling pattern used on the saddle. Really nice 3D look... tons of depth. How do you generally attach them (horn cap)? Screw post I imagine?? Anyway the tutorials are inspiring and I appreciate the dedication and openess you show in taking the time to share technique and knowledge. It is obvious that you have a dedication to the craft in general, aside from any personal gain. I get that and appreciate it! - Mike
Posted by: Mike Worthan | June 15, 2007 12:52 PM
Can't speak for the rest of you, but I am a "Capitalist" first hand and an ego massager secondly. I try to do my work from the standpoint of being paid to do nice work. The thing that embarressed me the most about this job, was my total lack of ability to make an accurate judgement in regards to time to accomplish. It struck a cord with me, how important it is that we have a recall process of jobs done over time, that we can go back to and use as a barometer so to speak for making judgements on jobs we have in hand to get done. It reminds me a little of guessing at the cost of carving by square inches.........truth is most of us are clueless using that format. BUt take a actual time on carving a flower of a given size along with vien that runs around it and most of us can hit it almost dead on.
Posted by: Jeremiah | June 18, 2007 1:42 PM
Very Very Nice. I really like how you look at things from a diffrent standpoint and do things that are diffrent and not just another version of the same old thing. Not that i have a problem with the same old thing i am very traditaonl but its nice to see something new.
Thanks for sharing your skill!!
Steve
Posted by: Steve Burton | June 19, 2007 1:51 PM
Bye the way the Videos have helped a bunch!!
Thanks
Steve
Posted by: Steve Burton | June 19, 2007 2:10 PM
Dead on the money about guessing at the time issue. I can't speak to saddlemaking (yet), but the bespoke furniture I have built in the past has, at times, made me pretty miserable when it came time to get paid. I have gradually inched up my pricing over the years and have tired of still being underpaid. I think I have finally gotten a handle on what I need to have, however (and a big one) I still run into a thicket of trouble when I take on something way out of the norm. I am still trying to work out my "actual" time spent on laying out a carving or getting properly compensated for it. I see that problem on anything that is new and needs to be worked out along the way. I promise your next one would probably go quicker if anyone can afford a next time. We tend to dismiss or fail to include the time it takes to stare at a project and work out the steps before committing them to silver, leather or wood... Good post, I don't feel so bad... just joking here. - Mike
Posted by: Mike Worthan | June 20, 2007 9:50 AM
You guys are of course correct, it is impossible to get paid for all of you work as you feel you should. And misquoting a price is a fact of life. I would be remiss as a teacher if I did not try to make the potholes in lifes road more obvious for all of though. My approach is somewhat different from that of others, because for me I see it as a business not an artform. Thanks for the compliments, and they are appreciated, but I still want to retain the strong sense of being in business to make a profit and the least mistakes in getting there.
Posted by: Jeremiah | June 22, 2007 12:26 AM