New Look for Stirrups
New Look for stirrups,
Strait from the fashion runways in Paris or Milan is probably your first thought, and I can understand. But really it is strait from a fashion runaway in Alpine Texas……….best term to use for a gathering of cowboys showing there very best collectable wears at an Art show. Where most attendees have faded jeans and a button collar shirt………and the obviously over-dressed man has a starched shirt.
There was a recent fantastic Art Show Gathering held in Alpine Texas, and while there were many folks involved in pulling this Show off………I don’t know them all and so would like to say here a special thanks to renowned braider Leland Hensley for his Curatorial duties of the Show, and of course all the folks who helped. Even more, we should say thanks to the excellent participation by the artists in attendance since it is their work that makes the Show come to life, and it was a Show full of life let me tell you. For all of you reading this, you should consider taking in this fine Show.
I myself, took a saddle that was ……….well, shall I say somewhat different from the ususal. We have been talking for the last few posts about the 3D scroll forms and the silver work done around that form of raising silver. This is yet one more chapter of the work done on the same saddle. In this blog we will deal with how we can impart a very unique look to our stirrups in a very simple manner. I like different………..it matches my personality. MY kids tell me I should call my blog “ life on the Odd Side”
Most of us have done the Tapadero thing, in both short and long versions, problem is that not very many customers want Tapaderos at any one time. Most of us have also done the nice Monel Stirrup with a carved Quarter Cover on the top, then to get even fancier we add maybe some Stirrup Bolts………………and get really crazy and carve the inside liner on the stirrups. I was sitting in the shop one night a little too late and after a little to much coffee, and just thinking how could I take a standard stirrup that almost ALL folks want, and make it a little different, and here is what I came up with.
I put together the entire stirrup in the manner described above, the carved quarter cover, the stirrup bolts, the carved interior of the stirrup. Then I masked off all but the Monel portion of my stirrup using mostly masking tape of the 3” painters variety, but also a few plastic bags covering the top edged and rubbed quarter covers. Once these are in place, I used a piece of .07mm Mylar and took a tracing of the outside metal portion of the balance of the stirrup. Onto this pattern I drew a floral pattern and began cutting with a fresh sharp HSBT bench Knife, I also used a scalpel in a few occasions till I had cut the back ground completely away from the pattern.
This FLORAL PATTERN was then laid and traced by .03mm pencil onto the masking taped sections of my stirrups. Now I used the scalpel the most to cut the masking tape according to the floral pattern until all was cut and each section of what is BACKGROUND is cut away leaving the floral outline in tape. Did I mention it helps to have a mug of the very finest coffee from Trader Joes called Bay Blend Dark Beans fresh ground and hot………………sure does try it some time.
Next, I headed to the shop next door to mine, which is my humble little Bit & Spur shop. I have a bead blasting unit in their which came from my friend Gordon Hayes by the way. I place 1 stirrup at a time in the cabinet, and using 85 pounds air pressure and #50 Glass beads I blast the pattern on each stirrup until I get and even uniform frost pattern from the glass beads. It is really quite clean, and quick to do. The clean up is almost as simple, there is just a little retouching of the once rubbed leather edges and wipe of the Monel sections with a solvent like Acetone being careful around the leather and you are ready.
Now since that Show I have done 3 more pair at customers request, I charge for this of course since it does take some time. But in it all, I think that I like the result when the background is left on the stirrup pattern and the floral section of the pattern is pulled up and away. I think the pattern is crisper and more readily discerned by a viewer. I may be wrong but it is my impression at this time.
One last thing that I should mention is the manner of attachment for the stirrup bolts in this case. Most folks solder the Concho to the end of the bolt that runs thru the stirrup. Since this concho was a screw down version with an exposed screw head, I decided to drill and tap the end of each stirrup bolt and screw the 3D Scroll conchos down to that by way of a fine thread machine screw so every thing matched in application and appearance.
Try it, you may find you like a stirrup with a different look. If you do that’s great, I may have a little company over on the “Odd Side” for a change. I hope you enjoyed it my leather workin silver bangin friends, I am not sure how much longer this Blog thing will last, but until next time take care and live Blessed.
Good Night America, and God Bless

Comments
These stirrups are elegant, not odd at all! This is a very clean, fresh and innovative take on what to do with stirrups. I have seen some cheap aluminum stirups with detailing on them, but they looked cheap no matter what. These stirrups are wonderful.
I really enjoy these blog pages, and get a tremendous amount of both information and inspiration. Keep up the good work!!
Thanks,
Judy
Posted by: Judy Bonzi | April 25, 2007 1:19 AM
Don't stop talking to us Jeremiah. I think there are a lot of folks out there reading, just not posting. You're a busy man though, I'd understand if it got crowded out. Do you ever have any problem sand/bead blasting with masking tape. I've done a fair amount of it on glass, mirror, foam signs, wood signs, etc... and use a rubber product that monument people use. The type I use comes from a sign supply and is created for hand cutting (vs. machine cut). It works good and I am due to buy more. I like the idea. Ever think of making your own stirrups? I've batted the idea around using exotic veneers in an epoxy laminate glue up. I've done something similar when building bows.
Posted by: Mike Worthan | April 25, 2007 10:36 AM
Odd....I think not! As Judy stated they are quite elegant. We have used this method of sandblasting on so many different types of materials from wood, glass, concrete, granite, metals and plastics like delrin and lexan.
I have even used it on plain spurs and bits to give them a "different" (or as you put it odd) look or to add a name or brand. Also used it on plain conchos to create a neat swirl pattern with a double border (tedious pattern due to the size and number of conchos). I have also used various other types of blasting media as well. There is an interesting yahoo group for sandblasting (PA Sandblasting).
To add to the monumnet places as suppliers...there are many concrete places ( look at places like Decocrete, The Stamp store) selling platic mats that have greco, celtic, southwestern and other patterns for borders, etc. Book outfits like Dover sell tons of patterns as well...floral, art-deco and many others.
These are **GREAT** ideas when you use other technologies to incorporate into your saddle making.
As Mike stated there are many places to find the mat for sandblasting. Some of them even have cling types but I would imagine that with the shape of the stirrup that could pose a problem. I have only seen these used on flat surfaces.
Mike's question about tape issues......
I have found that the 3M tape holds up quite well to light bead-blasting and much better than no-name types. We had a little better luck with the blue 3M Painter's tape on wood and medium sand but we haven't tried it on metal or glass yet with glass bead. We would always make sure and perform multiple passes with repressing the pattern back down after the pattern was cut out....just to make sure that there were no edges lifted up. Another thing to try as well is to utilize the 3M spray adhesive before you put down the tape. We always do this with wood or other porous materials. It provides additional adherence as well. The acetone will easily cut it afterwards.
I would reiterate what the other two have said about the blog...inspiration and all! Keep up the great work and God bless.
Regards,
Ben
Posted by: Ben Cox | April 27, 2007 7:46 AM
After reading the swirled raised concho blog and seeing your comments on your program and label paper, I thought that you might capture the mask and print it out on label paper. Depending upon the brand/type of label paper you might add spray adhesive beforehand to make sure it doesn't lift up. This is just a thought to simplify the process and reduce some taping/masking time.
As always...Keep up the great work and God bless.
Regards,
Ben
Posted by: Ben Cox | April 27, 2007 8:39 AM
I really like Ben's idea about the printer lables plus spray adhesive. It would shorten your time inverstment and also ensure that you could duplicate the design on several pairs of stirrups without variation. Seems like it would be fairly simple to scan the drawn image into your computer and then clean it up and print it out. You could also scale the image for different stirrups. It might distort it a smidge, but it should work pretty well.
best,
Judy
Posted by: Judy Bonzi | April 27, 2007 11:46 PM
This is in no relation to your saddle making topic, however, does possibly relate to Elko saddlemaking. I recently discovered a saddle in a home we purchased that has the emblem "Established Service 1873" logo. I wonder after researching the internet if this saddle was possibly made in Elko in that time period. Any insight would be great.
Posted by: Christie Jopson | June 4, 2007 5:47 PM