Since money’s been made
the crucible, the crucifix –
it’s been a hard row to hoe,
but my beloved Battle Mountain,
so disturbing, hawked
as an online slideshow.
Remember the flasks
on the shady back-deck
of Woodbridge Chardonnay
we consumed trying to
flabbergast her, before
dinner, before the Cabernet
and the slab of meat that
leaked on the fire, we
couldn’t out-crass her
style. But I don’t see it –
the deck, table and
barbeque in the pictures.
One wonders about people
with money: why and how
they let it pour
into watery concrete
around gossip rocks
in a metal shop floor.
I wonder at epiphanies
so removed from place,
the spirituality necessary
to build and sell
a sanctuary to their love
at their temporary
home. So many doors
encased in stone, so
small a space to house
an altar. The only thing
left unchanged is how
you delivered water.
- for h2ojohn

Credit: Internet listing by RExInet, RExBuy, RExChange and RExSold
Agents and Brokers - real estate and ranches for sale in the Sierras.
for more views see the link below:
http://www.rexinet.com/7052.html
Credit: Internet listing by RExInet, RExBuy, RExChange and RExSold
Agents and Brokers - real estate and ranches for sale in the Sierras.
for more views see the link below:
http://www.rexinet.com/7052.html
GOOD FRIDAY AT BATTLE MOUNTAIN
Between Moses and Mt. Dennison,
the floods run around a steep island thrust
into a channel of cobbles
where granite sand meets native clay -
a squaw dust loam
between granite slabs of gossip rocks below.
New holes now drilled
are filled with red wine rootstock,
hairy-bottomed canewood added to water,
then padded and smoothed
into a muddy midden
worn like gloves to the wrists
on soft white hands of friends -
a festive planting party
hearts from all over bent
genuflecting in the dirt.
With my own glass, I am drunk with it.
My first vision is a movie flawed
by vines burning alive
yet I can feel its gossamer walk in clouds
work here
in tomorrow’s gnarled vine rows cloaked
in this gray overcast
I skip and dance nearly naked
with full breasts,
nipples tight against the night
downcanyon draft
that lifts and exposes my long legs
and a moonlit patch
of a woman in me.
In this soil, another uprising
peppered with dried native blood -
the last battle pitched
for a pocket of renegades.
I see lines of blue coats from Ft. Tejon
horse drawn caissons
their cannons blasting holes
that mythologize this mountain.
I sip and spill wine on this same ground
you plant - overhear you say,
“This is the holiest of days.”
- for Dagny Grant
First published in the sparsely circulated chapbook With What Is (1997), and also included in Poems From Dry Creek (2008).